I also process quite a few of the off the shelf products as well – this means that I have sounds that are unique. It’s also crucial that you have a unique pallet for projects, and I spend a great deal of time creating my own libraries as well as using off the shelf products. Truly understanding how each instrument works helps with my workflow, as I spend less time messing around with the technology, and more time doing what I love… composing. I spend time researching, listening, and understanding how each instrument works to get the most out of the libraries. Sample libraries should be thought of as an investment, much in the same way as purchasing a new instrument.
With thousands of libraries to choose from I stick to two rules… I have to love how it sounds and be able to use it in my compositions. I spend a lot of my time in the studio in front of my computer and having every instrument that I would need helps my workflow and remain creative.
#Cinematic strings 2 vs 8dio adagietto tv#
Could probably afford some Hollywood strings at this point too if it wasn’t for the aforementioned issues.Having an arsenal of fantastic sample libraries, and VST instruments help me to compose for music for TV and film. Sounds like everyone digs the Cinestrings. Mine broke after about a year (just started flashing) and Ilok wanted me to send it in and pay $120 for replacement/transfer my authorization - what a JIP! My Steinberg USB dongle has been working fine for years. I’m not sure which library requires you to have an ILok (East West Probably) but I’ve had horrible experiences with ILok. One thing I forgot to mention is the DRM. The arranger in me would like LASS simply for the ability to do party righting and have it sound “correct.” slamblood said I think it mostly comes down to what sounds good. To me, it feels always akin to comparing mineral waters. Not being a purist orchestral composer, alongside being an avid supporter of smaller, less mainstream companies however, I’m mildly ignorant of the differences between these other major string libraries. I use Adagietto quite extensively these days on my corporate productions, as their whole tonality fits incredibly well. Personally, I adore some of the stuff Troels and the guys have put together over at 8dio. “One man’s trash is another man’s treasure”. Play seems a little shoddy compared to Kontakt or even native programming. I love the harmonics and same note bow change legato even! Great value.īERLIN STRING RUNS adds great trills runs and flourishes to give a really authentic touch. Not a huge PLAY fan though.ĬINESTRINGS sounds great out of the box. HOLLYWOOD for the great slur and string runs.
#Cinematic strings 2 vs 8dio adagietto pro#
VSL for the sheer range of articulations possible - I use With Mir PRO and sounds truly tremendous. Using VSL original strings, Hollywood Strings, Cinestrings and Henrik S String Runs.Īll have their strengths I find. Sonart Audio Venice Instruments OrchestraStrings Sometimes, when i need to achieve some feelings of smooth and lite composition and when other libraries couldnt give me such.
Symphonic String Collection: Basses, Cellos Again, due to its character, using rarely, when composition must be build around the vioin. Very nice realistic sound with very low octave, sounding more like viola. Using quite often, also very good library
Depending on a mood of composition hard, because this library has its own character. Using rarely.Īlways using like a low freq subtle parts, very warm, smooth and good addition to your live sounds strings Unreal realistic sound, but very characteric. Mostly my working library, love its articulations and feeling of “live” strings My main library, easy options and easy to work with Hey ! Didnt know about Berlin strings ! Just godness sound, will definately acquire that library.